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Aladdin: Original Motion Picture Soundtrack is the soundtrack of the Disney film, Aladdin. It was released alongside the film in 1992. The album has been released twice since 1994. In 2001 a remastered release was issued while in 2004, a special edition featuring two new songs was released alongside the Aladdin Special Edition set. The album won the Academy Award and Golden Globe Award for Best Original Score. It was also nominated for the BAFTA Award for Best Film Music (lost to the score of the film Schindler's List).
Track listingOriginal releaseParenthesis indicate the lyricist for the given track. The music for all of the tracks was composed by Alan Menken.
Special edition (2004) release
Score cues not included on soundtrack
SongsArabian Nights"Arabian Nights" is played in Aladdin's opening, sung by the Peddler (Bruce Adler). It was originally longer, and would make appearances through the movie. The lyric "'Where they cut off your ear if they don't like your face/It's barbaric, but, hey, it's home," received protests from the American-Arab Anti-Discrimination Committee (ADC), and in the 1993 video release, the lyric was changed to "Where it's flat and immense and the heat is intense/It's barbaric, but, hey, it's home".1 The original release of the Aladdin soundtrack, released before the controversy, retains the original version of "Arabian Nights". It is later featured in The Return of Jafar, where it uses part of the cut lyrics and is sung by Brian Hannan, 2 and this version is also the intro theme of the Aladdin TV series. Aladdin and the King of Thieves features an "Arabian Nights" reprise originally considered for the first film, which is also sung by Bruce Adler. "Arabian Nights" pops up in the movie's underscore quite often, primarily used as a theme for Jafar. One Jump Ahead"One Jump Ahead" is sung by Aladdin (Brad Kane) while he escapes from the guards carrying a stolen bread, explaining that this is the life he lives, he has no choice but to steal, much as he does not wish to. It replaced "You Can Count On Me", a song that would be used to introduce Aladdin but was considered too pokey3. Tim Rice and Alan Menken's biggest inspiration for "One Jump Ahead" was another cut song, "Babkak, Omar, Aladdin, Kassim", that would feature Aladdin and three friends removed from the film. During the writing, Rice and Menken also came to a ballad in the same vein, used in a later scene as "One Jump Ahead (Reprise)". 4 The reprise, titled, "One Jump Ahead (Reprise)", is also used in the score as the theme for Aladdin. A slow version of the song (the reprise, specifically) is heard in the underscore frequently as a theme for Aladdin. Friend Like Me"Friend Like Me" is sung by the Genie (Robin Williams) while he shows off his powers to Aladdin in a Cab Calloway-like musical, telling him that he is a friend unlike any other. It was the first scene in Aladdin to have its animation finished, and features some differences in character design.5. This song was nominated for the Academy Award for Best Original Song, it was Ashman's last nomination. During the movie's end credits, an instrumental reprise of the song is featured. Prince Ali"Prince Ali" is another flamboyant number sung by the Genie (Robin Williams) as he introduces Agrabah to Aladdin's royal alter ego, Prince Ali Ababwa with a giant caravan. During the song, Robin Williams imitates a Thanksgiving Parade commentor ("Don't they look lovely, June?") and Ethel Merman. The film version cut a conceived intro for the song and two extra verses in the middle.6 A Whole New WorldPrince Ali (Reprise)A parody of "Prince Ali" sung by Jafar (Jonathan Freeman), while the villain uses his newly gained powers to reveal Ali is only a street rat, and sending him to the ends of the earth. The filmmakers liked Jonathan Freeman's singing, and wanted to give Jafar a song, but they rejected Menken and Ashman's original composition for the scene ("Humilliate the Boy") and a new piece composed by Tim Rice ("Why Me"), as they were too long. Instead, they used a reprise of "Prince Ali." 63 Cut songsOther songs were written, and removed from the film. The 2004 soundtrack includes two, both written by Howard Ashman and sung by Alan Menken in the album: "Proud of Your Boy", which Aladdin was going to sing to his mother (a character removed from the film)3, and "High Adventure", sung by the Genie to encourage Aladdin (cut because two songs for the Genie were considered enough)6. The 2004 DVD includes as extra features "Proud of Your Boy" sung by Clay Aiken, and four songs in test versions: "Proud of Your Boy", "You Can Count On Me", "Humiliate the Boy", and "Why Me".7 The ScoreMany of the movie's songs pop up in Alan Menken's underscore. Also, each character is given their own theme that plays when they are onscreen. Aladdin's Theme is an instrumental of the "One Jump Ahead" song, reflecting his sweet nature, that of a Diamond in the Rough. It can be heard many times throughout the movie, for example, the scene where Aladdin gives two children bread. Jasmine's Theme is soft and sweet, but also sad-sounding, because she feels trapped. It is introduced in her first scene at the palace. The Sultan's Theme is a royal fanfare, though it sounds fairly goofy, because the Sultan is a silly king to begin with. Jafar's Theme is dark, like he is, an instrumental of "Arabian Nights." Genie's Theme is "To Be Free." It is surprisingly sweet for a comic character, to show that he truly means well and just wants freedom, similar to Jasmine. Although it is associated with Genie in the film, the tune was combined with Jasmine's theme and rewritten for Disney's Aladdin: A Musical Spectacular as "To Be Free," Jasmine's song. When Aladdin and Jasmine are together, it is usually accompanied by "A Whole New World." References
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